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The Phantom of the Opera Enchants at The Hippodrome

Posted on October 16, 2019October 16, 2019 by The Bloc0

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‘Burning Doors’ Represents the Need for Political Art Around the World

Posted on October 30, 2017October 30, 2017 by The Bloc0

D.C. Arts and Music Events Features Reviews

‘Fun Home’ Gets Real, Leaves Audience Breathless

Posted on April 22, 2017April 24, 2017 by The Bloc0

Bloc Blogs Events Features

‘Hamilton’ was Well Worth the Wait, But I Wish There Hadn’t Been a Wait

Posted on March 1, 2017February 28, 2017 by The Bloc0

College Park Arts Events Reviews The Clarice

Review: ‘Earnest’ Draws Laughs in a Trivial Comedy for Serious People

Posted on February 23, 2017 by The Bloc0

Bloc Blogs D.C. Arts and Music Features Reviews

‘Into the Woods’ Reveals Unique Dynamic of Devised Theatre

Posted on December 10, 2016December 11, 2016 by The Bloc0

College Park Arts Features The Clarice

Preview: The Call: A Look into the Complicated World of Cross-Cultural Adoption

Posted on September 26, 2016September 28, 2016 by The Bloc0

College Park Arts The Clarice

Review: ‘Baltimore’ Depicts the Raw Truth About Race Dialogue Today

Posted on February 29, 2016 by The Bloc0

College Park Arts The Clarice

Review: An Ethereal, Gender-bent ‘Midsummer Night’s Dream’

Posted on November 22, 2015 by The Bloc0

D.C. Arts and Music

Review: ‘Chimerica’ Confronts the Audience With Tough Questions About Contemporary Society

Posted on September 16, 2015 by The Bloc0

Spotlight The Clarice

Review: ‘Good Kids’ Takes on Critical Issues but Muddles Them up

Posted on March 1, 2015March 1, 2015 by The Bloc0